Flip card essay, text, post its, internet images, drawings, photographs and semen.
The Briggait, Glasgow, 2013
Unmarked: An A-Z loosely used Peggy Phelan's text on performance in which she challenges the idea that issues of representation are tied to and achieved through visibility, in which she states 'one's own origin is both real and imagined.' Taking a cue from her psychonanalytic approach, I used the alphabet used to test eyesight in an opticians to initiate a free association of images and texts relating to performing materials, self and thought in the public sphere. The work was installed as an oversized A3 set of flip cards within the exhibition for viewers to handle, reshuffle, read, pass by or discard.